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  • TimT Away
    TimT Away
    Tim
    wrote on last edited by
    #4077

    <p>SHOCKING</p>
    <p> </p>
    <p>Well, that's the end of my faith in that fine production house, The Asylum.</p>

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  • gollumG Offline
    gollumG Offline
    gollum
    wrote on last edited by
    #4078

    <blockquote class="ipsBlockquote" data-author="Tim" data-cid="472473" data-time="1424342097">
    <div>
    <p>SHOCKING</p>
    <p> </p>
    <p>Well, that's the end of my faith in that fine production house, The Asylum.</p>
    </div>
    </blockquote>
    <p> </p>
    <p>I love them so much. If I could choose one company to work at, feck Apple or Google or Tesla or Space X. Asylum all the way.</p>
    <p> </p>
    <p><a data-ipb='nomediaparse' href='http://www.gq.com/entertainment/movies-and-tv/201308/sharknado-atlantic-rim-pacific-rim-asylum-movie-spoof'>http://www.gq.com/entertainment/movies-and-tv/201308/sharknado-atlantic-rim-pacific-rim-asylum-movie-spoof</a></p>
    <p> </p>
    <p>"Of the twenty-six films The Asylum will release in 2013, only five will mimic Hollywood tentpoles. The remainder is a grab bag of B-movie genres: schlock horror, raunchy teen sex comedies, raunchy stoner sex comedies, Lifetime movies of the week, and puppy-themed Christmas films. And then there are the shark movies: <i>2-Headed Shark Attack, Sharknado,</i> the entire <i>Mega Shark</i> franchise. In 2007 the team opened Faith Films, which produces apocalypse movies that closely resemble their other apocalypse movies, but with more God. "<em><strong>The only thing we haven't done is straight drama," says Rimawi. "In other words, good films,"</strong></em> adds Paul Bales, 48, the third Asylum partner, who joined seven years ago to manage operations and keep the books in check."</p>

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  • TimT Away
    TimT Away
    Tim
    wrote on last edited by
    #4079

    <p> :mocking:</p>

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  • taniwharugbyT Offline
    taniwharugbyT Offline
    taniwharugby
    wrote on last edited by
    #4080

    <blockquote class="ipsBlockquote" data-author="mariner4life" data-cid="472471" data-time="1424340022"><p>
    The sex scenes in bound are rubbish.</p></blockquote><br>
    I always wonder how, er, hard some of those sex scenes in movies would be to act out...I mean line me up with a naked sex scene with say Kate Beckinsale and/or Sophia...theyd probably be over quickly at any rate!

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  • jeggaJ Offline
    jeggaJ Offline
    jegga
    wrote on last edited by
    #4081

    <blockquote class="ipsBlockquote" data-author="taniwharugby" data-cid="472497" data-time="1424368871">
    <div>
    <p>I always wonder how, er, hard some of those sex scenes in movies would be to act out...I mean line me up with a naked sex scene with say Kate Beckinsale and/or Sophia...theyd probably be over quickly at any rate!</p>
    </div>
    </blockquote>
    <p> </p>
    <p>I saw an interview with Samuel L Jackson last night and he was explaining its awkward apologising in advance for getting "excited" in a sex scene and even more awkward apologising to the lady involved for not getting "excited".</p>

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  • jeggaJ Offline
    jeggaJ Offline
    jegga
    wrote on last edited by
    #4082

    <p>How do people like Roger corman and Asylum make any money? Their films are always bad and I cant recall ever seeing one being shown at an actual movie theatre, where does the money come from?</p>

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  • NepiaN Offline
    NepiaN Offline
    Nepia
    wrote on last edited by
    #4083

    <blockquote class="ipsBlockquote" data-author="jegga" data-cid="472502" data-time="1424371661">
    <div>
    <p>How do people like Roger corman and Asylum make any money? Their films are always bad and I cant recall ever seeing one being shown at an actual movie theatre, where does the money come from?</p>
    </div>
    </blockquote>
    <p>I think it's a couple of things, Corman mostly produces stuff for cable now, and the stuff he produces rates pretty well. But the key is that they both produce stuff so cheap therefore DVD rentals/digital downloads/tv showings etc ensure they make healthy profits.</p>

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  • TimT Away
    TimT Away
    Tim
    wrote on last edited by
    #4084

    <p>[i]Electric Boogaloo: The Wild, Untold Story of Cannon Films[/i]<br><br>
    Pretty entertaining, but needed some variety to break up the talking head stuff.<br><br>
    James Bruner's face is terrifying.</p>

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  • Rancid SchnitzelR Offline
    Rancid SchnitzelR Offline
    Rancid Schnitzel
    wrote on last edited by
    #4085

    I recall Cormann once saying that he makes a profit about 80% of the time. But, that was before illegal downloading took off and I don't know how that affects films like his.<br><br>What's hilarious about his films is that they were once shown at drive ins. Can you imagine how it must have been like driving past while the Hot Box was showing?

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  • TimT Away
    TimT Away
    Tim
    wrote on last edited by
    #4086

    <p>This article on <em>The Burbs</em> is a good read.</p>
    <p> </p>
    <p><a data-ipb='nomediaparse' href='http://thequietus.com/articles/16396-the-burbs-overview'>http://thequietus.com/articles/16396-the-burbs-overview</a><br><br></p><p></p><blockquote class="ipsBlockquote">One of the most mind-warpingly compelling near-misses of this neververse was a version of Steven Spielberg's [i]Close Encounters Of The Third Kind[/i] written by everyone's favourite Bresson-loving Calvinist Paul Schrader. In Schrader's predictably more severe interpretation, the protagonist was to be a Saul/St Paul surrogate who works for the government debunking UFO sightings before an encounter with a bright light in the sky converts him into a believer, a zealot. This defiantly theological blockbuster – and likely audience repellent – eventually foundered over a basic disagreement between Spielberg and Schrader over the director's fetish for American suburbia. As Spielberg worked to relocate the soul of the movie from the arthouse to the multiplex, the two men clashed. Schrader said, "I refuse to send off to another world, as the first example of Earth's intelligence, a man who wants to go and set up a McDonald's franchise." Spielberg replied, "That's exactly the guy I want to send."</blockquote>

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  • taniwharugbyT Offline
    taniwharugbyT Offline
    taniwharugby
    wrote on last edited by
    #4087

    <p>The Good Lie - based on the true story of the Lost Boys of Sudan, who in war torn Sudan and focusses on a small group who end up in Kansas. Often amusing and heartwarming, but ultimately a sad story of the by-product of war </p>
    <p> </p>
    <p>Some may not like it, but I did.</p>

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  • taniwharugbyT Offline
    taniwharugbyT Offline
    taniwharugby
    wrote on last edited by
    #4088

    Everly - Salma Hayek kicking ass and shooting shit up Tarantino style, I liked it.

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  • mariner4lifeM Offline
    mariner4lifeM Offline
    mariner4life
    wrote on last edited by
    #4089

    <p>in a continuing trend of watching everything 7 years after everyone else, i watched "No Country for Old Men" last night.</p>
    <p> </p>
    <p>What the actual fuck? it was ticking along nicely. And then everything happened off screen. And then it stopped? For the first 2/3 of the movie i thought i was awesome. And then it finished and i was scratching my head wondering what the fuck i had just watched. Did they just not have any idea how to end it, so thought "fuck it, we'll do nothing and call it art"</p>

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  • jeggaJ Offline
    jeggaJ Offline
    jegga
    wrote on last edited by
    #4090

    It was about the sheriff and the world changing around him and him realising that he was too old to deal with it anymore wasn't it? All the other stuff was a side story about how drugs had transformed his sleepy border town and the money had corrupted people .

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  • mariner4lifeM Offline
    mariner4lifeM Offline
    mariner4life
    wrote on last edited by
    #4091

    <p>yea, i got that theme. But if he's the protagonist, then jesus they spend a lot of the movie hiding him. I could have sworn Josh Brolin was the protagonist, because i'm pretty sure Bardem is the antagonist. But from what you're saying, time is the antagonist. </p>
    <p> </p>
    <p>That's fucking stupid. </p>

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  • jeggaJ Offline
    jeggaJ Offline
    jegga
    wrote on last edited by
    #4092

    The bok is excellent , Tommy Lee is pretty uch the main character and it's not just time he's up against. The sort of crimes he would have associated with big cities are now right on his doorstep being a border town .

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  • MajorRageM Away
    MajorRageM Away
    MajorRage
    wrote on last edited by
    #4093

    <p>Guardians Of the Galaxy.  Complete let down.   the trailer makes it look it's not too far off the realms of other Marvel movies, but turns out it's not even close.  Far more of a modern day star wars than anything else.  Has nothing on the likes of Iron Man, Avengers, Captain American etc.  Chris Pratt is perfectly cast but that is literaly it.  I'd give it a solid 1.5/10.</p>

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  • HoorooH Offline
    HoorooH Offline
    Hooroo
    wrote on last edited by
    #4094

    I went into that movie with low expectations and came out happy. Had to see what everyone was crapping on about with Groot.

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  • jeggaJ Offline
    jeggaJ Offline
    jegga
    wrote on last edited by
    #4095

    I feel for anyone who can't appreciate the simple joy of a raccoon firing a machine gun.

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  • NepiaN Offline
    NepiaN Offline
    Nepia
    wrote on last edited by
    #4096

    <p>I'm not 100% sure MR isn't having a wee troll. Guardians was one of the best movies last year and the trailer made it look completely like a 'space' film.</p>
    <p> </p>
    <p>I would stop watching a film that turned out to be a 1.5/10.</p>

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