What are you listening to, right now................
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@infidel Going to see him tomorrow night - reservations about how he will go in such a large venue as the "Millennium Dome" - but still looking forward to it.
Seen him a few times during the Grinderman phase, but don't think I've seen the full Bad Seeds.
And straight after the gig... the All Blacks play... not sure yet if I'll be watching that live, or the next morning. Considering it'll be the 6th gig in 9 nights... too old for this shit, might be watching delayed coverage. -
Best Cave ever with Bad Seeds was in a driving storm middle of day during a Lollapalooza. Proved if ever there were doubters he can play a big venue. Luckily I've seen him a dozen times in smaller venues since '80s. We do miss Blixa though.
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VH. Goin' back to the first. I hates them. But I loves them. And my love is rotten to the core. Forget the technique for a second - this is simply one of the best electric guitar tones ever.
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And since I'm in the mood, a little Motley.
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Eddie is known for his solos and tapping etc but it is his rhythm playing that sets him apart.
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A worthy effort in overthinking it:
“A Never-Ending Wheel”: The Heroic Quest in Dio’s ‘Holy Diver’
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I don't know if this has been on here before
http://static.echonest.com/BoilTheFrog/
This site creates a Spotify playlist to take you seamlessly through different genres/artists, when you enter a starting and an ending artist.
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Hurricane Smith produced several Beatles LPs, including Rubber Soul.
He also produced early Pink Floyd albums -- Piper at the Gates, Saucerful of Secrets and Ummagumma. One time Nick Mason couldn't get the drum part right, so Hurricane played the part himself. Genius!
The man had all the pedigree any recording engineer would want, but in the early 1970s Hurricane got out of the game producing these teeny-boppers to make his OWN righteous progressive music. As Johnny says here in the introduction, Hurricane makes his U.S. debut at age 49. (What are the chances that's a wig?)